George Lucas, one of the most successful film directors, can teach us a lot. Lucas (entrepreneur and director) made Star Wars and Indiana Jones, two of the most profitable films ever.
After graduating from USC, George Lucas founded Lucasfilm and released American Graffiti, which launched his career in Hollywood. In this article The legendary director was one of the first to use technology for special effects in his films, using his ideas and passion to succeed.
Lucas became one of the most successful directors of all time via passion, hard work, tenacity, and invention from his early beginnings.
Early work
George Lucas, the son of a small-town stationer and a mother who was often hospitalized for illness, was an early reader of classic adventure stories like Robinson Crusoe and Treasure Island, a comic book collector, and a history buff. High school sparked his filmmaking enthusiasm. His teenage passion for car racing ended after a near-fatal crash at age 18.
Cinematographer Haskell Wexler inspired George Lucas to make movies. Lucas graduated from USC’s film department with a BA in 1966. A student, future director John Milius, introduced George Lucas to Kurosawa Akira, who would inspire his work. Lucas won first place at the 1965 National Student Film Festival with his futuristic fable Electronic Labyrinth THX 1138 4EB. He worked with Francis Ford Coppola on Finian’s Rainbow (1968) during a 1967 six-month Warner Brothers internship. His next project was a “making-of” documentary about Coppola’s The Rain People (1969). Lucas filmed part of Albert and David Maysles and Charlotte Zwerin’s 1970 documentary Gimme Shelter, depicting the deadly 1969 Altamont Festival Rolling Stones event.
Warner Brothers–Seven Arts chose George Lucas to helm a feature-length remake of his prizewinning student film, with Coppola executive-producing and Robert Duvall and Maggie McOmie as the illicit lovers. Despite its clear reference to George Orwell’s Nineteen Eighty-four and plodding pace, THX 1138 (1971), a dismal fiction about a robotized, dehumanized society in the far future, earned decent reviews A groundbreaking film from Coppola’s American Zoetrope studio, which produced several 1970s and 1980s classics.
Lucasfilm Ltd., formed in 1971, included Industrial Light & Magic (ILM, founded 1975), the most notable American special-effects company. His second film, American Graffiti (1973), a sympathetic portrait of early 1960s American adolescence, was a surprise hit and represented his Modesto hot-rodding roots. American Graffiti, starring newcomers Richard Dreyfuss, Ron Howard, and Harrison Ford, was one of the decade’s highest-grossing and possibly most successful films. It was shot in less than a month for under a million dollars.